“It has been responsible for most of man’s miseries,” he answered. “Every world’s conqueror meant to make it happy after he had finished knocking it about. We are all born with it, thanks to the devil.” He shifted his position and regarded her with critical eyes. “You’ve got it badly,” he said. “I can see it in the tilt of your chin and the quivering of your nostrils. You beware of it.” “The business of the journalist,” the man had continued, “is to destroy the truth, to lie, to pervert, to vilify, to fawn at the feet of Mammon, to sell his soul for his daily bread. We are the tools and vassals of rich men behind the scenes. We are the jumping-jacks. They pull the strings and we dance. Our talents, our possibilities, our lives are the property of other men.”!

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. By the time it was done with, Madge had discovered a girl who could sing “Three Little Pigs;” and a sad, pale-faced gentleman who told stories. At the end of one of them Madge’s brother spoke to Joan in a tone more of sorrow than of anger.

Flossie ’phoned her from Paddington Station, the second day, and by luck she happened to be in. Flossie had just come up from Devonshire. Sam had “got through,” and she was on her way to meet him at Hull. She had heard of Joan’s arrival in London from one of Carleton’s illustrated dailies. She brought the paper with her. They had used the old photograph that once had adorned each week the Sunday Post. Joan hardly recognized herself in the serene, self-confident young woman who seemed to be looking down upon a world at her feet. The world was strong and cruel, she had discovered; and Joans but small and weak. One had to pretend that one was not afraid of it. “I want you to be just yourself,” said Joan; “a kind, good woman of the people, who will win their respect, and set them an example.” She moved across and seating herself on the arm of Mrs. Phillips’s chair, touched lightly with her hand the flaxen hair and the rouged cheek. “I want you to get rid of all this,” she whispered. “It isn’t worthy of you. Leave it to the silly dolls and the bad women.” “Paper going well, sir?” he asked. “I often read it myself.”